zeiss

Contax G2 Camera Review – The Anti-Rangefinder That’s in a Class of Its Own

2200 1238 James Tocchio

The Contax G2 is like no other rangefinder on Earth. In fact, its technological ethos employs certain tricks that are outright heresy to diehard fans of the classic rangefinder; it runs on batteries, its manual…

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A Camera Like Clockwork – Zeiss Ikon Contina Ic Camera Review

2200 1237 James Tocchio

Zeiss Ikon’s Contina Ic is everything I love about vintage cameras. Functionally elegant, mechanically sophisticated, simple; it’s the kind of camera that works, sounds, and feels like clockwork. It’s a tangible link to a romantic…

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A Week Away with the Contax T – a Perfect Travel and Street Rangefinder Camera

2000 1125 James Tocchio

Three film cameras; ten rolls of film. That’s what I packed for a recent week away. Among these cameras was the Contax T, an unbelievably compact 35mm film rangefinder that somehow marries luxurious excess to…

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Zeiss Ikon ZM 35mm Rangefinder Review – Everything a Rangefinder Should Be

2000 1125 Dustin Vaughn-Luma

A few months ago, I sang the praises of the Zeiss C Biogon 35/2.8 M mount lens. In that earlier review, I spoke to my wife’s sixth sense and how she dealt me a whopper…

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Jupiter-12 35mm F/2.8 Lens Review – Playing Russian Roulette with a Zeiss Copy

2000 1119 Josh Solomon

There is perhaps no more controversial, polarizing, and confusing subject in vintage photography than Russian lenses. For as many articles and forum threads that lionize the Russian lenses as dirt cheap Zeiss-killers there are just…

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Nikon Nikkor H C 50mm F/2 LTM Lens Review – A Leica Alternative That’s More Than Just a Copy

2200 1238 Josh Solomon

In my Leica M2 review, I mentioned a certain lens, a Nikkor-H.C. 5cm f/2 in Leica Thread Mount. The lens sparked a mini-revolt in the comments section, with its detractors crying “Heathen!” at my mounting…

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Carl Zeiss 45mm F/2 Planar in Contax G Mount Review – an Almost Perfect Legacy Lens

4000 2250 James Tocchio

The Carl Zeiss Contax G Mount Planar 45mm F/2 prime lens is, without bluster, amazing. It’s helped me make some of my favorite images in years. It’s also irritating. Never before have I used such…

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Yashica T2 Review – A Charmingly Imperfect Point-and-shoot

2000 1125 Jeb Inge

The long history of photography has always bent toward convenience. In hundreds of years of cameras, the world has gone from minutes-long exposures and staged Civil War battlefield scenes to being able to take and…

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Zeiss 50mm F/1.5 Sonnar versus F/2 Planar – a Film Shooter’s Opinion

2000 1125 Dustin Vaughn-Luma

When it comes to M mount 50mm lenses the choices are plentiful, and quite often the costs are high. Single coat, multi coat, ‘crons, ‘nars – the overwhelming abundance of choice is enough to send…

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Carl Zeiss Planar 50mm F/1.4 C/Y Mount – Lens Review

2000 1125 James Tocchio

Today’s lens review isn’t going to change the way you take photos, and if you’re already shooting a fast fifty don’t expect to be surprised. Today’s lens review, while certainly worth reading (don’t you dare),…

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Zeiss 35mm F/2.8 C Biogon ZM – Lens Review

1280 720 Dustin Vaughn-Luma

In the early days of Instagram I had the opportunity to work with some amazing brands using my telephone camera as a primary shooter. During these projects I felt a deep sense of pride knowing…

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The Family That Shoots Together… Street Photography With Kids

1280 849 Dustin Vaughn-Luma

As a young man, I occasionally engaged with photography with just a general interest. In the mid-1980s, point & shoot and instant cameras were plentiful, and I can’t recall a time growing up where we didn’t…

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Zeiss Ikon Contina II (524/24) – Camera Review

6000 3374 James Tocchio

When shooting vintage cameras there exists something of a sweet spot- a kind of “Goldilocks zone” that only a certain number of cameras occupy. For most photo geeks, a camera needs to be old enough to have…

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