Drew shoots, compares, and muses over Portra 400 VC and Portra 160 NC, two formerly-loved and famously dead films from Kodak.
read moreEquipped with a Kodak Retina and Ektar film, Connor explores the camera’s ancestral home of Rochester, New York, Kodak’s world headquarters.
read moreAfter years of wanting one and sixty days of shooting one, Jeb relates his thoughts on and experiences with the Pentacon Six.
read moreOur hype-free review of the Fujifilm Klasse, a “premium” point and shoot 35mm film camera popular with the Instagram film community.
read moreA brief history of 127 film, an overview of the cameras that shoot it, and whether or not shooting them is worth the trouble today.
read moreThe German language is many things. It can be stubborn, demanding, exacting and rigid. It can also be strangely elegant and beautiful. Easy, it is not. It’s spoken in three countries, and its dozens of…
read moreFor my thirteenth birthday I was given a Canon Sureshot 105 Zoom camera and a booklet explaining, among other things, how to load the film, frame a photo correctly, and shoot without getting your fingers…
read moreThe magnitude of Kodak successfully rereleasing a film like Ektachrome is huge. It’s also a milestone that, frankly, many of us never thought possible. When the staff here at CP first heard whispers of an…
read moreKodak Professional T-Max 100 is my current favorite film. I’ve said the same in the past of Fujifilm’s Superia 1600 and Ferrania’s P30, two lovely emulsions that I love to shoot. But the former is…
read moreReaders of the site often ask us for film recommendations, so we thought it would be helpful to publish a quick guide to each brand’s film stocks. Keep in mind that these are only brief…
read moreThe disposable camera is the ultimate tool for casual photography. It’s made for non-photographers, vacationers, first-time film shooters, and even experienced shooters looking to simplify their kit. But what’s really remarkable about the disposable camera…
read moreThe first step to recovery is admitting you have a problem. When the CP crew and I chose our desert island film (the film that we’d each shoot for the rest of our lives if we…
read moreIn five years of shooting film cameras, I’d never shot the Leica R5. When one rolled through the shop an hour before I was set to board a boat to Martha’s Vineyard, it seemed like…
read moreLaurence Von Thomas is the founder of Reflex. His Reflex I camera is a modern interpretation of the classic 35mm film SLR that was successfully Kickstarted late last year. Today he shares his thoughts on the past,…
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