film profile

Shooting Berlin with Lomography’s Berlin Kino 400 Black-and-White Film

2560 1689 Jeb Inge

The German language lost one of its best ambassadors when Bruno Ganz died earlier this year. The Swiss actor was a mainstay on both stage and screen, with more than a hundred credits to his…

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Six Months with Kodak’s New Ektachrome

2800 1857 Josh Solomon

The magnitude of Kodak successfully rereleasing a film like Ektachrome is huge. It’s also a milestone that, frankly, many of us never thought possible. When the staff here at CP first heard whispers of an…

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Foma Fomapan 100 35mm Film Review

2800 1857 Josh Solomon

Part One It’s 3:45 PM. The sound of steady rain falling outside the cafe is getting tiresome. It shouldn’t be raining today, or at least not right now. I was counting on it, for the…

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Kodak Professional T-Max 100 Film Profile

2800 1575 James Tocchio

Kodak Professional T-Max 100 is my current favorite film. I’ve said the same in the past of Fujifilm’s Superia 1600 and Ferrania’s P30, two lovely emulsions that I love to shoot. But the former is…

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Fujicolor Industrial 100 – Film Profile

2800 1575 Drew Chambers

The simplest, most cost-effective way to jazz up one’s film photography is to spring for a new film stock. Sure, you could seek a rare lens or a unique body, but nothing beats the ease…

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Fujifilm Fujicolor Pro 400H Film Profile

3000 1688 Josh Solomon

I’m going to talk about Fujifilm’s Fujicolor Pro 400H, Fuji’s pro-level color negative film. I really am. But I’ve got to get something off my chest first. I really don’t like being the “get off…

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A Quick Guide to Kodak Film and When to Shoot Each One

3000 1688 Josh Solomon

Readers of the site often ask us for film recommendations, so we thought it would be helpful to publish a quick guide to each brand’s film stocks. Keep in mind that these are only brief…

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Kodak Ultramax 400 Film Profile – Confessions of a Film Snob

2400 1350 James Tocchio

The first step to recovery is admitting you have a problem. When the CP crew and I chose our desert island film (the film that we’d each shoot for the rest of our lives if we…

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Rollei RPX 400 Black and White Film Profile – Is It Worth a Shot?

2200 1238 Dustin Vaughn-Luma

In a vast sea of similarly-specced black-and-white mid-speed films, finding a stock that speaks the right language can be frustrating. This is especially true for those of us who develop our own film. The seemingly…

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Ferrania P30 Alpha Film Profile, plus we chat with FILM Ferrania US Director David Bias

2200 1238 James Tocchio

FILM Ferrania is a unique company with a unique product. The Italian cinema film maker reached their peak of influence in the mid-twentieth century, and their first new product since a 2014 resurrection is a…

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We Shoot Polaroid Originals Duochrome Pink and Blue – Instant Film Profile

2000 1125 James Tocchio

Polaroid Originals recently brought back two fan-favorite films from the days of Impossible Project; Duochrome Pink and Duochrome Blue. These instant films use the same chemistry as the company’s black-and-white film, but substitute the white…

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Looking Back at Kodachrome – Kodak’s Most Famous Film and Why It’s So Special

2000 1125 James Tocchio

As the song says, everything looks worse in black and white, and if there’s only one color film that could make “all the world a sunny day,” it was Kodachrome. Or so it seems. Like…

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We Pick Our Desert Island Film with Special Guest Mike Padua of Shoot Film Co.

2000 1125 James Tocchio

In our Desert Island Cameras series, the CP staff and some special guests each pick our single favorite camera from a given brand. Today we’re doing something a bit different. Today we’re each deciding which…

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Fujifilm Provia 100F Slide Film Profile

2000 1125 Josh Solomon

Many people will tell you that there’s nothing as scary in film photography as shooting slide film. It’s harsh, unforgiving, and only for experts. With every shot, they say, slide film will either deliver you…

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