35mm Film

Olympus 35 RD – Olympus’ Final 40mm Rangefinder

2200 1238 Dustin Vaughn-Luma

It was 1975 when Olympus made the call to launch their final Hail Mary in the competitive 40mm fixed-lens rangefinder game. Olympus engineers aimed to better the already well-received Olympus 35 SP and replace it…

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Contax G2 Camera Review – The Anti-Rangefinder That’s in a Class of Its Own

2200 1238 James Tocchio

The Contax G2 is like no other rangefinder on Earth. In fact, its technological ethos employs certain tricks that are outright heresy to diehard fans of the classic rangefinder; it runs on batteries, its manual…

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Featured Photophile No. 012 – Paul Boccuzzi

1818 1023 James Tocchio

Featured Photophile, our recurring segment showcasing talented amateur photographers is back with more photo inspiration for you. Hi there – please introduce yourself.  My name is Paul Boccuzzi, I’m 24 years old and live in Hunterdon,…

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Nikon Approaches its High Water Mark with the N90s – Camera Review

2000 1125 Jeb Inge

There was a time when Nikon was the undisputed ruler of the camera kingdom. The length of that dominance spans decades during which the brand produced some of the finest SLRs ever made, in machines…

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How to Cheat at Film Photography – Simple Tips for Making Better Photos

2000 1125 James Tocchio

Film photography can be hard. The learning curve is often steep, and blasting through twenty rolls of film as we learn the ropes can be a costly and frustrating experience. This barrier to entry may…

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Looking Back at Kodachrome – Kodak’s Most Famous Film and Why It’s So Special

2000 1125 James Tocchio

As the song says, everything looks worse in black and white, and if there’s only one color film that could make “all the world a sunny day,” it was Kodachrome. Or so it seems. Like…

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Canon FD 200mm F/2.8 Lens Review – A Case for Legacy Telephoto Primes

2000 1125 Chris Cushing

It’s no surprise that every world-class camera company has each produced at least a few brilliant prime lenses that legacy shooters claw over one another to buy; Minolta has their 55mm f/1.2, Canon the 50mm…

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Fujifilm Provia 100F Slide Film Profile

2000 1125 Josh Solomon

Many people will tell you that there’s nothing as scary in film photography as shooting slide film. It’s harsh, unforgiving, and only for experts. With every shot, they say, slide film will either deliver you…

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Seizing the Means of Production with the Soviet Zenit-E 35mm Film Camera

2000 1125 Jeb Inge

I spent the better part of a recent Saturday traveling and photographing a number of towns in central Virginia. In the town of Orange it was a vintage Coca Cola advertisement painted on the side…

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Fujifilm Superia 1600 / Natura 1600 – Everything You Need to Know About This Super Fast Color Film

2000 1125 James Tocchio

Over the past few years, color film has never managed to grab me the way shooting black-and-white film does. I enjoy the depth of black and white images, the low cost and the process of…

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The Canon P is A Beautiful, Functional 35mm Rangefinder Worth Shooting Today

1833 1031 Chris Cushing

What adjectives describe a modern Canon camera? Rugged? Purposeful, maybe? I’ll bet beautiful seldom comes to mind. That’s not a knock. Canon today produces cameras that survive when guys like Larry Chen strap them to…

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Yashica T2 Review – A Charmingly Imperfect Point-and-shoot

2000 1125 Jeb Inge

The long history of photography has always bent toward convenience. In hundreds of years of cameras, the world has gone from minutes-long exposures and staged Civil War battlefield scenes to being able to take and…

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Eastman Kodak Double-X (5222) – a Cinematic Black and White Film

2000 1123 Josh Solomon

The word “cinematic” can be pretty vague. It’s one of those meaningless filler words that can be applied to anything and that tells you absolutely nothing about what you’re looking at. Oh look at this…

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Pentax Super Takumar 50mm F/1.4 M42 Mount Lens Review

2000 1125 Chris Cushing

Eight elements. Eight. The original Zeiss Planars got by with just six, the Planar T* of the 1970s used seven. Minolta, Canon and Nikon all used seven elements in their fifties. Pentax themselves reverted to…

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