Zeiss Ikon

Carl Zeiss Jena Werra 1 Review – Function Following Form

1918 1439 Jeb Inge

One of the pitfalls of brand loyalty is that it urges us to embrace the bad with the good. For instance, I think Guns N’ Roses made the last epic rock and roll record with…

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Contax IIa – Zeiss Ikon’s Best Classic Rangefinder Reviewed

2400 1350 James Tocchio

In 1944, Allied invasion forces stormed the beaches of Normandy in France. With the first wave of troops was a young combat photographer named Robert Capa. In his hand was the Zeiss Contax II, then…

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A Camera Like Clockwork – Zeiss Ikon Contina Ic Camera Review

2200 1237 James Tocchio

Zeiss Ikon’s Contina Ic is everything I love about vintage cameras. Functionally elegant, mechanically sophisticated, simple; it’s the kind of camera that works, sounds, and feels like clockwork. It’s a tangible link to a romantic…

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Zeiss Ikon ZM 35mm Rangefinder Review – Everything a Rangefinder Should Be

2000 1125 Dustin Vaughn-Luma

A few months ago, I sang the praises of the Zeiss C Biogon 35/2.8 M mount lens. In that earlier review, I spoke to my wife’s sixth sense and how she dealt me a whopper…

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Zeiss 50mm F/1.5 Sonnar versus F/2 Planar – a Film Shooter’s Opinion

2000 1125 Dustin Vaughn-Luma

When it comes to M mount 50mm lenses the choices are plentiful, and quite often the costs are high. Single coat, multi coat, ‘crons, ‘nars – the overwhelming abundance of choice is enough to send…

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Carl Zeiss Planar 50mm F/1.4 C/Y Mount – Lens Review

2000 1125 James Tocchio

Today’s lens review isn’t going to change the way you take photos, and if you’re already shooting a fast fifty don’t expect to be surprised. Today’s lens review, while certainly worth reading (don’t you dare),…

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Contax 139 Quartz – Camera Review

1280 720 James Tocchio

I recently found myself the reluctant owner of a Contax 139 Quartz 35mm SLR, a camera about which I knew little and for which I cared even less. After all, if this rebranded, electronic Yashica…

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Zeiss Ikon Contina II (524/24) – Camera Review

6000 3374 James Tocchio

When shooting vintage cameras there exists something of a sweet spot- a kind of “Goldilocks zone” that only a certain number of cameras occupy. For most photo geeks, a camera needs to be old enough to have…

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