35mm Film

Nikon F2 Camera Review – Nikon’s Pro SLR Evolves

3000 1688 Josh Solomon

From its inception, the Nikon F2 has enjoyed a reputation rivaled by few and envied by many. The camera was designed to be nothing less than the perfect expression of the professional 35mm mechanical SLR…

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A Quick Guide to Kodak Film and When to Shoot Each One

3000 1688 Josh Solomon

Readers of the site often ask us for film recommendations, so we thought it would be helpful to publish a quick guide to each brand’s film stocks. Keep in mind that these are only brief…

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Praktica MTL 5B SLR Camera Review

2000 1125 Jeb Inge

No one wants to be the person with the obvious schtick. But after volunteering to review a rangefinder, an SLR, and then a medium format and even half-frame cameras from the Soviet Union, I’m starting…

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Plustek OpticFilm 120 Scanner Review – Premium Scans, but at What Cost?

3000 1687 Dustin Vaughn-Luma

By the time I’d tested the Plustek OpticFilm 120 scanner, I’d tried plenty of scanners and was pretty worn out. Let’s face it – scanning sucks. It’s time consuming, and confers the same level of enjoyment…

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Agfa Ambi Silette 35mm Film Rangefinder Camera Review

3000 1688 James Tocchio

The Agfa Ambi Silette is an odd duck. Here we have an all-metal, fully mechanical, interchangeable lens rangefinder camera with bright-line frame lines for three focal lengths, parallax correction, and a sophisticated leaf shutter. It’s…

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Kodak Funsaver Disposable Camera Review – Cheap is Good

3000 1688 Josh Solomon

The disposable camera is the ultimate tool for casual photography. It’s made for non-photographers, vacationers, first-time film shooters, and even experienced shooters looking to simplify their kit. But what’s really remarkable about the disposable camera…

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Olympus Mju II Review – a Skeptical Look at a Cult Favorite

3000 1688 James Tocchio

A skeptic at heart, I’d been side-eying the Olympus Mju II for a long time. As prices for this tiny point-and-shoot camera from the 1990s continued to climb over the last few years, my incredulity…

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Nikon SP Limited Edition 2005 Overview – Nikon’s Rangefinder Swan Song

2400 1350 James Tocchio

The Nikon SP Limited Edition from the year 2005 is a really special camera. All things considered, it may be the brand’s best film camera. It’s the most capable rangefinder that Nikon ever built, handcrafted with…

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Kodak Ultramax 400 Film Profile – Confessions of a Film Snob

2400 1350 James Tocchio

The first step to recovery is admitting you have a problem. When the CP crew and I chose our desert island film (the film that we’d each shoot for the rest of our lives if we…

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Konica Autoreflex TC and the Hexanon 40mm – Shooting Bare Bones

2000 1125 Jeb Inge

In most conversations about classic SLR producers, Konica is always left out. The 1970s hosted a tug of war between camera brands vying for supremacy in the SLR market. One brand would develop a camera…

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Shooting Martha’s Vineyard with the Leica R5 and Kodak Ultramax

2400 1350 James Tocchio

In five years of shooting film cameras, I’d never shot the Leica R5. When one rolled through the shop an hour before I was set to board a boat to Martha’s Vineyard, it seemed like…

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These are the Best Beach Cameras (Film and Digital) Just in Time for Summer

2400 1350 James Tocchio

Summer (for those of us in the northern hemisphere) is almost here, and while the sun, the sand, and the sea can be glorious for our bodies and minds they can be murder on delicate…

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Rollei RPX 400 Black and White Film Profile – Is It Worth a Shot?

2200 1238 Dustin Vaughn-Luma

In a vast sea of similarly-specced black-and-white mid-speed films, finding a stock that speaks the right language can be frustrating. This is especially true for those of us who develop our own film. The seemingly…

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What I Learned from a Weekend Doing Everything Wrong (Photographically)

2200 1237 James Tocchio

Before we get too far in, and to ensure that we feel the full impact of my idiotic failings of the past weekend, it’s important to really make clear all the things at which I…

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