Why Everyone Should Shoot a Wide Angle Lens

At its very best, photography presents the viewer with something previously unseen. Some of the best photographs are the ones that show a far away place, a seemingly impossible event, or an unimaginable situation. These shots usually come from those annoyingly well-traveled and worldly photographers whose websites, blogs, and Instagram accounts we mere mortals bitterly follow.

But fear not, for us plebeian scum it’s still possible to make compelling and inspired photos, even if our budget for travel and gear is a bit limited. And one of the simplest ways to increase the dynamism and visual interest of our images is by using a wide-angle lens. By widening our angle of view, we’re able to capture shots of the world around us in a way that’s exquisitely uncommon and decidedly more compelling than when shooting with a standard lens.

But just how much, and in what ways can wide-angle lenses impact your photography? Why bother shooting wide? Let’s find out.

why shoot wide angle lens

What is a Wide-Angle Lens

For those who may not know, a wide-angle lens is any lens whose focal length is smaller than the long side of any given film plane or sensor. Since focal length is relative to the size of a camera’s film or sensor, what constitutes a wide-angle lens will vary according to camera type. Since many photogeeks and new shooters will recognize the 35mm format used by classic film cameras and newer digital cameras as a point of reference, we’ll use this format to illustrate.

Following our definition above, a wide-angle lens will be any lens on a Full Frame or 35mm film camera body that has a focal length of 35mm or less. On a Full Frame or classic 35mm film camera, 35mm lenses are often considered wide-standards.

Similarly, an ultra-wide lens is any lens whose focal length is shorter than the short side of a film plane or sensor. So in the 35mm (Full Frame) format these would be any lens with a focal length shorter than 24mm. The shorter the focal length in mm, the wider the lens will be, and the larger field of view one will be able to achieve.

Now that we’ve got that covered, let’s look at what a wide-angle lens can do for your photography.

why shoot wide angle lens

Wide-Angle Lenses Capture More of the Scene

Whether you’re shooting landscapes, cityscapes, or street shots, your photos can benefit from inclusion of more things within the frame. Wide-angle lenses allow this. It’s much easier to convey the sprawling vistas of landscape shots when you’re shooting a wide lens. The viewer sees the foreground, midground, and background all in equally sharp focus.

It’s also possible to draw the viewer’s attention to a subject immediately in front of the camera, while including the distances far afield. This is useful in street shooting to provide context, and establish a relationship between the subject and his or her environment.

Also useful in architectural and city shooting, using a wide-angle lens helps convey a sense of size, space, and distance that’s impossible to produce with a standard or telephoto lens.

Not convinced? Think of a city scene for a moment. Did you envision just three buildings? Of course not. To adequately present the viewer with the feeling of being in a city, you’ll want to make a shot with dozens of buildings in the frame. To do that, you’ll need to be shooting a wide-angle lens.

why shoot wide angle lens


Wide-angle Lenses force You to Get Close to Your Subject

This is one of the most well-known and often-cited reasons for shooting a wide-angle lens. In order to make any kind of subject appear prominently in the shot, you’re going to have to get quite close, otherwise your subject will be lost in the scenery.

This is a fantastic way to really force yourself to engage with your subject. In street shooting especially, using a wide-angle lens imbues each frame with a feeling of tightness. This intimacy between photographer and subject comes through in the final image, and let’s the viewer feel truly connected to the scene.

Using a wide-angle lens is one of the easiest ways to instantly improve your street photography. Unfortunately, it’s also incredibly difficult to commit to the idea that you’re going to be within kicking distance of every one of your subjects. But if you’ve got the gumption, you’re bound to make some amazing images.

Try it out. It’ll be fun. As long as no one gets hurt…

Wide-angle Lenses let you exaggerate Small Spaces

Though we may not like it when real-estate agents use them, wide-angle lenses are great for those shooting in cramped places. With a wide- or ultra-wide, it’s possible to make even the tiniest studio apartment seem like a penthouse suite.

For those of us not in the real-estate game, this aspect of wide-angle shooting is still super-useful. Road trips and vacations benefit from the wider scope, where shooters and subjects may be stuck in a car, train, or plane for long stretches of otherwise mind-numbing time. And travelers looking to capture shots of explored interior spaces will love  the versatility of wide-angle lenses.

why shoot wide angle lens

Snapshots and family photos can also benefit from a wider angle of view. Making compelling shots of Thanksgiving dinner, Christmas celebrations, or indoor birthday parties is a simple task when shooting with a wide-angle lens.

Fun with Distortion

More than any other type of lens, wide-angle lenses (and ultra-wides especially) allow you to play with perspective in a really unique way. Without too much difficulty is possible to skew the shot and make playfully distorted images.

why shoot wide angle lens

By positioning the front element of a wide-angle lens very close to the subject, it’s possible to make the foremost point of the subject hyperbolically large while making the rest of the subject shrink away rapidly into the background. While not everyone will appreciate these types of photos, they’re only possible with a wide-angle lens.

Fish-eye lenses, in particular, allow the shooter to really bend the rules of photography. For this type of shooting, the wider the better. Some lenses even allow the photographer to take a photo of their own feet while pointing the camera at the horizon. Pretty wacky.

why shoot wide angle lens

Leading Lines and Guiding Attention

Finally, with wide-angle lenses it’s easy to greatly emphasize horizontal and vertical elements in a frame. We can make the cables of a bridge, or the rails of a train track shrink off into the distance in long, unbroken lines. And we can use these lines to guide the viewers eye where we desire.

Frame your shot with these horizontal or vertical lines so that they begin at an extremity and end at a subject, and we’ve turned basic lines into leading lines. By using wide-angle lenses in this way, it’s possible to draw attention where we desire, and to do so in a way that imbues our photos with dynamism and drama.

why shoot wide angle lens

If you’ve got a specific wide-angle lens that you can’t live without, let us hear about it in the comments. Maybe we’ll pick one up and cover it in our next lens review. And if you’ve got a site, Instagram, or blog where we can see your best wide-angle work, link us to it!

Want your own wide-angle lens?

Shop for wide-angle lenses from CanonNikonOlympusPentaxMinoltaLeica, and Zeiss

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  • Reply
    Rob Moses Photography
    November 2, 2015 at 1:25 am

    Nice pictures and camera 🙂

    • Reply
      November 2, 2015 at 1:29 am

      Thanks bud!

  • Reply
    Chris Whitehead
    November 2, 2015 at 3:19 am

    I love shooting wide/super wide, but I do struggle picking which lens to take. I love the 17mm Tamron SP f3.5 but I struggle with the lens flare it often picks up even with the lens hood. More often I have been using the 24mm Minolta F2.8 and loving it.

    Example with the 17mm Tamron: https://500px.com/photo/121214441/lunch-at-al-s-diner-with-scott-by-chris-whitehead?ctx_page=1&from=user&user_id=13924231

  • Reply
    November 2, 2015 at 10:17 am

    Two years ago i was using only portrait lenses and my prime fifty. Occasionaly a 200mm telephoto. My only experience with wideangles was my beloved olympus XA with its 35mm f/2.8. But then i mount my first prime on my X-700, a 28mm rokkor and my entire concept of photography changed. Imagine what a 24mm or a 21mm can do! I started invading my own frames by getting soooo close. After all it was Robert Kappa who said “if its not good, you are not close enough” and at least in terms of street photography that ‘s what is all about no? 😉

    • Reply
      November 2, 2015 at 11:05 am

      Happy to hear that wide primes had such an impact on you. 🙂

  • Reply
    November 2, 2015 at 10:20 am

    Two years ago i was using only portrait lenses and my prime fifty. Occasionaly a 200mm telephoto. My only experience with wideangles was my beloved olympus XA with its 35mm f/2.8. But then i mount my first prime on my X-700, a 28mm rokkor and my entire concept of photography changed. Imagine what a 24mm or even a 21mm can do! I started invading my own frames by getting sooo close. After all it was Robert Kappa who sad “if its not good, you are not close enough” and in terms of street photography at least, thats what is all about, no? 😉

  • Reply
    March 2, 2016 at 8:44 pm

    I really like your articles and enjoy reading them very much. Thanks for the effort!

    • Reply
      March 2, 2016 at 9:03 pm

      Hey bud. I’m happy to hear that! Thanks for the kind words.

  • Reply
    Merlin Marquardt
    May 18, 2016 at 2:31 pm

    Nice article. Proud to be part of the plebeian scum!

    • Reply
      May 18, 2016 at 3:02 pm

      Haha! Well said.

  • Reply
    David Aref
    November 7, 2017 at 12:43 am

    Really enjoy the site, picking up bits and pieces of knowledge from various articles as I’m transitioning to shooting film.

    Have a slight question: Picked up a Nikon (FM2n), and got a 24mm, 35mm, 50mm lens. 35mm is my normal lens. I know the NIkkor 28mm f/2.8 is universally praised, but do I really need it when I already have a 24mm f/2.8? It’d be nice to have, but can I safely put it in the “if I find one for $50/uncle gave me a five-figure inheritance” category?

    Thanks, keep up the great work!

    • Reply
      James Tocchio
      November 7, 2017 at 4:24 am

      I think you’re on the right track regarding the 28mm. If you have a 24 and a 35, skip it unless you find one at a great price. Hope this helps.

      • Reply
        David Aref
        November 7, 2017 at 2:49 pm

        Thanks, glad to hear that my judgement isn’t totally wrong this time!

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